Capsule Reviews by Mark E. Waterbury

Antry – Devil Don’t Care

Tres Lobas Enterprises – TLE-CD-8849

Even Christian/Praise music is not immune to having too many artists/songs sound the same. Tulsa’s Antry uses both his faith and musical talents to create something a bit more intriguing musically while still carrying his heartfelt messages. Melding various stylings of blues, country and pop, the music ranges from lush and charismatic to potent and gripping. In any case, this is a very powerful way to spread The Word and the uniqueness and musical talent involved with its creation only enhances the chance of it making a difference in people’s lives.

https://www.antrymusic.com

Ben Bostick – Hellfire

Simply Fantastic Music

Country artist Ben Bostick loves his roots and he scorches them like a prairie wildfire. From old school honky tonk to Memphis blues-fueled rockers, Ben tears up any preconceived notions about roots country since he is unafraid to kick in some unconventional stylings that lend a subtle punk feeling while keeping strong hooks intact. The vocal work is a robust cross between Jerry Lee Lewis and Waylon Jennings prone to some interesting phrasing calisthenics, further augmenting the often darkly humorous lyrics. The CD is loaded with excellent musicianship fueled by brash power. Ben doesn’t just turn Nashville on its ear with his music, but he boots it down the road with a steel toe and screams “make room for me!” And they had better because this is seriously fresh music.

https://www.benbostick.com

Tim Woods – Human Race

To set yourself apart playing blues these days, no need to be strong in your roots but have a bit of something extra. Macon (by way of western Pennsylvania guitarist/vocalist) Tim Woods has that something extra, and it is this undeniable raw feel that ratchets up the intensity of his music. Even the ballads feel potent and some of the rockers are over the top with blistering guitar work and bone-breaking rhythms. Balancing this is his surprisingly melodic voice which still has just the right touch of grit. You can almost smell the tubes in the amps overheating on this one and feel the studio walls shake.

https://timwoodsmusic.com


 

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Gaetano Letizia & the Underworld Blues Band – Beatles Blues Blast

Gaetano Letizia & the Underworld Blues Band – Beatles Blues Blast

The Beatles are one of those bands that if you do a tribute album to their music, you better hit the ball out of the park, lest you commit musical blasphemy. Cleveland’s Gaetano Letizia not only hits it out of the park, it is a grand slam into the parking lot. The veteran blues guitar slinger and his power trio manage to pay respectful homage to the Beatles while also flashing their prodigious musical chops in an entertaining fashion. A blues tribute to the Beatles is by no means a stretch because, as any fan knowsm the Fab Four loved and were often influenced by American blues. Most of the songs carry the essence of the originals, laced with Gaetano’s stunning guitar work, and the stoic but intricate rhythms of bassist Lenny Gray and drummer Mike D’Elia. Some, however, kick a bit a different groove into gear, particularly the songs that have had well known covers done before; “Come Together,” With A Little Help From My Friends,” and “While My Guitar Gently Weeps.” The latter is a particularly gutsy and intriguing version that stands out against the famous versions by Jeff Healey and Prince. The trio is unafraid to do things a bit differently such as in a Cream-ish instrumental take on “Do It In The Road,” a smoky roadhouse tilt to “A Day In The Life.”  and a snappy shuffle ditty-fueled “Tax Man.” Beatles fans won’t be disappointed and neither will blues lovers because this is a great and unique tribute that is both fun and respectful. – MW

http://gaetanoletizia.com

 

Capsule Reviews by Mark E. Waterbury

The Furious Seasons – Now Residing Abroad

Veteran L.A. singer-songwriter David Steinhart has created another masterpiece with his trio The Furious Seasons. David can stand his own against many famous singer-songwriters of the past, and you can feel a bit of the likes of Cat Stevens, Paul SImon and Jim Croce when you listen to him. He has his own distinct personality though, with a voice that is both emotive and subtly intense with mesmerizing timbre, the perfect conveyance for his thought provoking often topical words. The musical backdrop is thoughtfully complimentary, showcasing a further depth of artful talent. Full of warmth and intelligence, this is truly enjoyable music.

http://thefuriousseasons.com/

Marshall – Carnivals & Other Tragedies

Hey Man! Records

Chicago is, of course, known for blues, but I would hesitate to pigeon hole veteran Chi-Town songsmith Marshall (Hjertstedt) in that category. While there are blues influences, there is so much more depth to his music with heavy doses of folk and subtle doses of Taking Back Sunday-era indie rock. Perhaps why this music is so ear-opening is because he can weave together those various styles and create music with a delectable pulse and captivating vibe. The lyrics are cerebral without being pretentious and there is plenty of musical prowess tastefully laced throughout the tracks. Wonderful music with heart from the Heartland.

http://marshallsongs.com

Reverend Raven & The Chain Smokin’ Altar Boys – My Life

Nevermore Records

Almost as stoic a Milwaukee institution as beer and German food, Reverend Raven and his band celebrate their twentieth anniversary of creating blistering blues from the Cream City. The music treads mostly familiar territory which is not even close to being a bad thing as the Rev knows how to take traditional blues progressions and do special things with them. The CD is brimming with killer vocal work, snarling guitar solos, wicked harmonica chops, and lyrics that tell stories ranging from humorous to heartrending. These guys bust their butts to bring great music to the Midwest and beyond, and we can only hope they will be around another twenty years.

http://reverendraven.com

Hilary Scott – Don’t Call Me Angel

Belltown Records

Not to be confused with the two “L” Hillary Scott from Lady Antebellum, Hilary Scott has carved her own name into today’s Americana scene with a breathlessly intoxicating voice and a knack for creating catchy, emotional, and subtly edgy songs. Slipping in touches of country, blues and indie rock, Hilary’s stunning vocal work and soul bearing words will drive deep into your soul with their honest intensity and delectable musical backdrops also created by Hilary’s multi instrumental talents. Beautiful, lush and haunting, this music draws in the listener and holds their attention as you experience her stories and feelings.

https://www.hilaryscott.com

 

Jo-EL Sonnier – The Legacy

Jo-EL Sonnier – The Legacy

Takau Records

To say that music is universal is not cliche. If you have any doubts about that statement, give a listen to “The Legacy” by Jo-EL Sonnier. All the lyrics on this Grammy winning CD are in French, but you do not need to be fluent or parlay any Francois to understand where the legendary “King of Cajun music” is coming from. Sonnier’s talents are immense, as anyone who knows Cajun music can attest to, as will the numerous country and pop performers whose songs have included his mastery of the accordion. You can feel the emotions he puts into each song, whether you speak the language or not.  “Les Blues D’Ennui” translated to “Boredom Blues” will alleviate that affliction if you are experiencing it with its snappy rhythm. “Si J’ai Pas Toi”, (“If I Don’t Have You”) has a subtle pop rock groove with pained vocal works that harken the lamenting of a lost love. “Mama’s Two Step” – the only English titled,  song feels fun and fresh. Sometimes Cajun music can get repetitive and sound to similar to other artists, but Sonnier has a knack for tossing in varied and tasty songwriting morsels in just the right spots and striving to do things just a bit differently while keeping the ethnic vibe intact. So, yes, his music is universal – his language is roots, talent, and passion. If you can’t speak that particular language yourself, you can certainly enjoy this particular interpretation. – MW

http://joelsonnier.com

 

Steven Casper & Cowboy Angst – Sometimes Jesse James

Steven Casper & Cowboy Angst – Sometimes Jesse James

Silent City Records

When I heard the first notes of “Down”, the lead track on the latest from  So-Cal’s Steven Casper, my first reaction was “Tom Petty lives!” High praise from me, but not hyperbolic and while I do feel the ghost of Mr. Petty wafting around Steven’s music, his own personality shines through and he is by no means a clone. It feels mostly like heartland or Americana, but the tendrils of blues, country, and other styles writhe around the songs subtly, giving them both depth, but also a comforting familiarity. His sharp wit and intelligence shine through in the lyrics – check out the words fueling the twisted folk of “Wrecking Ball” if you need proof. Unafraid to try everything, Steven ends the CD with the Spanish flavored instrumental “Mi Sueno, Mi Dolor” – translation, “My Dream, My Pain.” His pain and dream is the listener’s music delight. The Petty comparison goes a bit beyond his similar sounding voice, for Steven Casper is a pure songwriter. And even though there are only six songs on this CD, you will savor them over and over again. – MW

http://caspermusic.com

 

Bonsai Universe – Moonstreams

Bonsai Universe – Moonstreams

I cannot quite put my finger on what to make of this musical project by journeyman vocalist/multi-instrumentalist Woody Aplanalp…and perhaps that is why his music is so intriguing. I am not going to come up with one of those “cross so and so with so and so” references, although I do hear a subtle Bowie influence. I would include it in the progressive realm, and, no, that does not mean it sounds like Yes or Dream Theater; it is because it is so intoxicatingly different. There are lush, ethereal keyboard landscapes in abundance, but there are also folksy acoustic guitar passages and avant garde, but hooky pop passages. Woody has an undeniably catchy voice and a quirky sense for lyric writing, putting an extra dose of intrigue into even the most generic subject matter. This probably will not be for everyone, but I don’t think he created it for everyone either. Rather, if you respect solid songwriting talents that have zero qualms about creating different but captivating, then strap yourself in for this ride. – MW

https://www.bonsaiuniversemusic.com

 

Capsule Reviews by Mark E. Waterbury

Laura Benitez and The Heartache – With All Its Thorns

While many guys in country are going back to their roots, some of the gals are as well. The third release by Laura Benitez and her band The Heartache exemplifies this as she channels influences of some of the great ladies of country into her own sound. Her voice is undeniably catchy, with a sweetly subtly operatic croon that drives home the from-the-heart lyrics she writes. Musically you are transported back several decades, either clapping along at some smoky Texas honky-tonk, or tapping your toes and smiling in a chair at the Ryman. Both retro and refreshing, this is someone to watch out for.

http://laurabenitezandtheheartache.com

Rich Krueger – Life Ain’t That Long

Rockink Music – RKM002

Long time member of the band The Dysfunctionells, Rich Krueger has released another excellent solo CD featuring his sharp lyrical wit melded with varied musical sensibilities. With a subtly powerful vote that feels a cross between Van Morrison and Cat Stevens, Rich takes you on a story telling journey that feels just like that…like he is sitting at some campfire sharing a half pint with you and regaling you with life stories and perspectives. Enhancing the stories further with unique music backdrops reaching many roots of folk, rock, country and blues, this is one tasty stew for even the most finicky of songwriting aficionados.

http://www.reverbnation.com/richkrueger

 

Gerry Spehar – Anger Management

Gerry Spehar – Anger Management

In his 1997 song “Christmas in Washington,” troubadour Steve Earle implored “Comeback Woody Guthrie.” Gerry Spehar may have produced that comeback in spirit with his latest release. The Colorado singer/songwriter pulls no punches with his current political statements on this CD, leaning a bit more on the country side of folk than Woody but still infusing a bare–bone hominess that catches the ear and exemplifies the words. The sardonically humorous “Thank You Donald” kicks off the festivities with a bluegrass lilt. The moody, somber folk of “A Soldier’s Spiritual” is a soul-stirring plea about veteran’s difficulties. “Carnival” is like a twisted tent revival preaching a unique perspective on the legacy of LBJ. Gerry tackles multiple timely issues including racism, war, and immigration with music ranging from bizarrely delectable to musically potent. There are many talented players involved with this CD, but Gerry’s voice showcasing a wonderful diversity in both tonal qualities and emotive output is the real star here. He definitely has a lot to say and whether you believe or agree with him or not, the way he conveys his opinions and messages will no doubt get you to at least listen, and maybe think a bit as well.  – MW

https://www.gerryspehar.com

 

Dukes of the Orient – Dukes of the Orient

Dukes of the Orient – Dukes of the Orient

Frontiers Records – FR CD 845

Bassist/vocalist extraordinaire John Payne and keyboard maestro Erik Norlander have once again joined forces, and the result is mesmerizing. A few years removed from the Asia featuring John Payne era, John and Erik have unleashed both their musical and songwriting talents creating a CD that wonderfully melds the intricacies of prog with the pop sensibilities that Asia was known for during the Payne era. This is obvious straight out of the gate as the rollicking “Brothers In Arms” appears both radio ready with enough musical prowess to please the most ardent prog rock fans. While vestiges of Asia are obvious, the envelope is stretched further – very evident in the driving power of “ A Sorrows’s Crown” and the ear-opening opus “Give Another Reason.”  Songs like “Time Waits For No One” and “Seasons Will Change” are strong with their comforting hooks; the musicianship being tempered a bit, but still amazing in a subtle way. It does feel even more like a reunion when you see the guest musicians include guitarists who were members of the John-Payne-era Asia (Jeff Kollman, Moni Scaria, Bruce Bouillet, and Guthrie Govan) along with Asia featuring John Payne drummer Jay Schellen. This is mostly John’s and Erik’s work, combining influences of their past collaborations with other facets of their songwriting souls to create some brilliant music. – MW

http://dukesoftheorient.com

 

Capsule Reviews by Mark Waterbury

Teresa James & The Rhythm Tramps – Here In Babylon

Jesi-Lu Records

L.A.’s veteran songstress Teresa James has strong roots growing into several branches of blues. The result is a sultry, sometimes bawdy but undoubtably catchy group of songs that smacks of barrel houses where you have to squint through the smoke to glimpse the band. Her delectable twinkling of the 88 keys is backed by a robust crew of talented players, kicking life into songs whether mellow or rocking. Teresa’s powerful voice from the Bonnie Raitt school rips loose the songs in potently soulful fashion. Some highly enjoyable tunes here.

http://www.teresajames.com

Tim Woods – Human Race

The lead track of Pittsburgh singer/songwriter/guitarist Tim Wood’s second CD is called “Can You Feel It?” and, believe me, you can. You can feel old wooden floors shaking, tube amps vibrating, bandaids hastily wrapped around bleeding fingers. Yeah ,you can call it blues, you can call it rock, but Tim puts a unique enough spin on the songs that you can’t really pigeon hole it. His voice is pleasantly haunted by the ghost of Jim Morrison, his guitar work is often stunning, and the music gives the impression of a headlong free for all that works just right. A great example of someone who lets it all loose when he writes and plays music.

http://www.timwoodsmusic.com